CAMERA OPERATIONS

Sony Drones are truly positioned to take over the market!
Exhibit A:

More: https://sonycine.com/articles/sony-airpeak-s1-and-fx3-put-to-the-test-i…

Thanks to Jim Plannette for sharing on Facebook:

Some more wisdom from DP Roy Wagner ASC

From the Cinematography Group on Facebook!
Pretty cool!

Amazing lighting setup, no VFX, by ⚡@mattardine "Nike, 2017.
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Lights
8 – 20k balloons, 20’x8′
145 – Martin Rushpars
50 – Colorado Tripars
75 – Sunstrips
10 – Clay Paky Scenius
30 – Clay Paky Sharpys
12 – Arri Skypanel S-60
4 – ETC Source 4 Lustre
2 – Brite Box Flame follow spot
2- Arrimax 18k
2 – GrandMA2 Full
4 – GrandMA2 NPU
4 – TMB Proplex Fiber Switches
4 – 750′ Fiber
1 – WDMX 2 Universe Transmitter
8 – Innovative Dimmers Cinetennas
8 – Optisplitters
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Production Company: Doomsday
Director: Hiro Murai
Cinematographer: Larkin Seiple
Lighting Designer: Matt Ardine
Lighting Console Programmer: Eric Androvich
Rigging Gaffer: Ted Barnes
DMX Tech: Paul Sartain
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⚡@iatselocal728 @clay.paky @ma_lighting_international
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Lighting gear provided by: @voltlites
Electrical Gear Provided by: Blackline Rigging and Lighting
Lighting Balloons Provided: @onelightballoons
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post via : @filmlights ⚡️

Another Facebook post from Roy Wagner Asc on the passing of a true friend:

From Roy H. Wagner. Asc on Facebook!

Anyone know where this is from?

1) Here's an Original of a classic B&W movie "Arrival of a Train at La Ciotat", The Lumière Brothers, 1896

2) And the Upscaled and resounded version : [4k, 60 fps] update:

3) And finally a Colorized by DeOldify Neural Network version of the video:
https://youtu.be/EqbOhqXHL7E

See: https://sites.google.com/view/wenbobao/dain